Neeson's whiskey-marinated Catholic anguish isn't exactly new, nor is Harris's rueful reflection on years flown. But if it's a film that sticks to the old songs, at least it plays the hits.. Director/writer [Neill] Blomkamp has tossed adie any sense of subtlety for a heavy-handed reprise of some of District 9's basic themes hog-tied to a riff on undocumented immigration.. The movie is both sloppy in its details and too literal in its thinking. A less blunt allegory might have made for sharper e...
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