Mann would rather be coasting the canals or stewing over crime scenes. The definiteness of computers seems to stymie him. For all his digital resources, his existentialism is analog.. Nobody can top Mann's urban night scenes, with their oily neon and skyscraper light grids, but for the most part this plays like Heat without the heat.. One of the most visually unattractive movies I've ever seen.. It has a decent ludicrousness and Mann's one-of-a-kind talent for using digital photography and natur...
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